Score for the Dispossesed 174cm x 148cm oil on canvas £3500 2009

detail

Bid for Freedom. 2000/2 oil on canvas. 133 x126cm.£1350

Bid for Freedom. /Detail

Who Stays,Who Goes. 2002. 197 x 147cm. oil on canvas. £4000

Who stays,Who Goes. Detail

Centre Pages for the book of Newsreel. 2008. oil on canvas. 41 x 18cm. Private Collection.

Centre page for the book of Newsreel 2. 2008. oil on canvas. 41 x 18cm. £225

Contained Group. 2006/9. oil on canvas. 40 x40cm. Private Collection

Immigrant Dreams. 2000/7. oil on canvas. 208 x 180cm. £6000

Immigrant Dreams. Detail

Immigrant Dreams. Detail/2

To Hatch the cry you have incubated here. 2008. oil on canvas. 21 x 13cm. Private collection.

In Humility. 2008. oil on canvas. 21 x 13cm. £150

I have not turned my back on you. 2008. oil on canvas. 18 x 14cm. £150.

So small in all of this. 2006. oil on paper. 14 x 13cm. £150.

By the red wall. 2006. oil on canvas. 17 x 14cm. £150

Red Archway. 2006. oil on paper. 14 x 11cm. £150

Do not ask my name or my condition. 2008. oil and indian ink on paper. 30 x 28cm. £400

The Territory between expulsion and sunset. 2008. oil and indian ink on paper. 30 x 28cm. Private collection.

Displaced and Disfigured. 2000/5. oil on canvas. 107 x 106cm. £1000.

Displaced and Disfigured./Detail

Fast Track Family. 2004/5 oil on canvas. 172 x 108cm. £2500.

Gathered and Displaced. 2008/9 oil on canvas. 148 x 118cm. £3000.

Untitled./detail

In Shadow. 2005/7. oil on canvas. 161 x151cm. £3000

In Shadow./detail

Visas and Borderlines. 2004/5. oil on canvas. 166 x 89cm. £2250

Passports and Visas.(Blue heads.) 1999/04. oil on canvas. 194 x 94cm. £2000.

Passports and Visas. (Blue Heads.)/detail

Speaking with soft voices. 2008. 0il and ink on paper. 30 x 15cm. Private Collection

The ones you hear about, the ones you don't. Oil,newsprint and indian ink on canvas. 164cm x 148cm 2009. £4000

  

Asylum


Groups of displaced people have a particular resonance for me because I am Jewish.
I became concerned with the plight of asylum seekers and refugees when the tabloid press took up the issue and began to deliberately and regularly inflate the tension surrounding the subject of immigration and confuse the distinction between asylum seekers and migrant workers. I felt my sympathies being drawn to both groups for different reasons.
I was very much pre-occupied with the dilemma of where these people would go if they were refused entry, or leave to remain, in this country. It was as if we being encouraged to believe the problem would go away if these groups of people were refused entry. At this point anonymous representations of uprooted humanity began to wander onto my canvases and as I made space for them, their predicaments and their complex histories began to haunt me. I feel that I can work through my own obligations and manifest my empathy by resolving these issues visually.